Staff at the Musée du Louvre staged a strike this week, temporarily shutting down the Paris landmark and intensifying an ongoing debate about how one of the world’s most important museums should evolve. The walkout, organized by several French labor unions, protested a proposed large-scale renovation and expansion, urging museum leadership to redirect resources toward essential building maintenance, staff safety, and the protection of collections.

The strike forced the museum to close during the morning hours before partially reopening later in the day. According to union representatives, the action reflects growing concern that high-profile architectural interventions are being prioritized over urgent technical and infrastructural needs within the historic palace complex.
€700 Million “New Renaissance” Project Faces Internal Opposition
At the center of the dispute is the Louvre’s ambitious “New Renaissance” project, announced in 2025 by French President Emmanuel Macron. The plan includes the creation of a new entrance and a dedicated exhibition space for Leonardo da Vinci’s Mona Lisa, aiming to better manage visitor flows at a museum that receives millions of guests each year.
With an estimated cost exceeding €700 million, the project would represent the most significant transformation of the Louvre since I. M. Pei introduced the iconic glass pyramid in 1989. However, striking staff argue that the focus on expansion overlooks pressing issues such as aging infrastructure, climate control, and internal security systems—problems they say directly affect both employees and artworks.

Security Concerns and Criticism of “Visible” Architecture
Tensions escalated further following a high-profile theft in late 2025, when jewels valued at €88 million were stolen from the museum. An audit released shortly after the incident revealed long-standing concerns, noting that the Louvre had repeatedly favored “visible and attractive” projects over behind-the-scenes maintenance and security upgrades.
While museum officials have declined to comment on whether the robbery will influence the scope of the renovation, critics see the incident as evidence that foundational investments are overdue. The strike has thus reframed the architectural conversation, shifting attention from iconic additions to the less visible systems that sustain a complex heritage building.

Parallel Expansion Signals Curatorial Ambition
Even as the broader renovation remains contested, the Louvre continues to advance targeted architectural projects. Recently, the museum selected the American-French consortium WHY Architecture and BGC to design new exhibition spaces for its forthcoming Department of Byzantine and Eastern Christian Art.

Scheduled to open in 2027, the 5,500-square-meter project will reorganize galleries within the Denon wing, creating new connections between Roman, Byzantine, and Islamic collections. Praised for its sensitive approach to heritage and scholarship, the project highlights a contrasting model of architectural intervention—one focused on curatorial clarity rather than monumental expansion.
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