Home Articles The Silence of Concrete: Ando’s Minimalism in the Heart of Paris
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The Silence of Concrete: Ando’s Minimalism in the Heart of Paris

Tadao Ando transformed the historic Bourse de Commerce in Paris into a contemporary museum, blending minimalist concrete architecture with 18th- and 19th-century frescoes. Discover how Ando’s geometric design creates a serene dialogue between history and modernity for François Pinault’s art collection.

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The Silence of Concrete: Ando’s Minimalism in the Heart of Paris
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Japanese architect Tadao Ando, ​​who masterfully used concrete in his works, created a minimalist architecture for the Commodity Exchange that both contrasts and complements the building’s 18th- and 19th-century architecture. In this article, we will examine the intervention made by Tadao Ando in The Musée d’Orsay, one of the most famous museums in Paris, and the amazing dialogue between the two different era and architectural styles.

Credit: Cyrille Weiner

Tadao Ando is a Japanese architect known for his simple, minimalist designs and creative use of concrete, light, and space. His buildings often focus on creating calm and thoughtful environments, blending nature with architecture. Ando’s aim is to make people feel a sense of peace and reflection when they move through his spaces, using clean lines, natural light, and strong geometric forms to connect the interior with the outside world. Tadao Ando’s approach is to use this building’s magnificent frescoes and ornamentation, highlighting the “silence” of concrete, a building material of the period.

Credit: Cyrille Weiner

Like many famous museums in Paris, the Bourse de Commerce was not first built for art. The Musée d’Orsay used to be a busy train station, the Louvre was a royal palace, and L’Orangerie was made to protect orange trees. In the same way, this round building was first a grain market which is very different from its role today as a museum.

Credit: Cyrille Weiner

Over time, it became a place for trading more goods and worked almost like a stock exchange. Business continued there until the 1990s, when online markets made such trading buildings unnecessary. For years, the building was rarely used, even though it still looked very grand.

Everything changed in 2016, when French businessman François Pinault, who owns one of the biggest modern art collections in the world, decided to turn it into a museum for his 5,000 artworks. He chose Japanese architect Tadao Ando, famous for his simple designs and use of concrete, to redesign it.

Credit: Cyrille Weiner

Ando’s idea was to place a 9-meter-high round concrete wall under the big dome. This modern shape, surrounded by raised walkways, connects the old and the new, letting visitors see both the art and the beautiful 19th-century frescoes on the dome.

Credit: Cyrille Weiner

Tadao Ando’s approach is to use the building’s magnificent frescoes and ornamentation, highlighting the “silence” of concrete, the building material of this period. Ando’s geometric precision creates a bold contrast with the ornate neoclassical architecture, and the resulting effect represents, in essence, the art of renewal through preservation. The Bourse of Commerce stands as a striking example of how Paris continually reinvents its architectural heritage to serve culture, creativity, and the public imagination.

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Written by
Elif Ayse Sen

Architect, Author, Content Marketing Specialist.

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