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Inspirational Stories

Inspirational Stories #17: Ambientevario

In the 17th edition of our Inspirational Stories series, Ambientevario shares how embracing constraints, adaptive reuse, and deep contextual sensitivity has shaped a practice dedicated to creating architecture that bridges memory and modernity.

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Inspirational Stories #17: Ambientevario
Nuvola 75 by Ambientevario, Credit: Ph. Federico Covre
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In the 17th edition of our Inspirational Stories series, we are pleased to feature Ambientevario, an Italian architecture studio founded in 2010 with a clear mission: to create different environments through a responsible and resource-conscious approach to design. Born during the aftermath of a global economic crisis, the practice has built its identity around the belief that limitations are not obstacles but catalysts for innovation. With a portfolio that spans adaptive reuse, modular construction, and contextually rooted interventions, Ambientevario demonstrates how doing more with less can lead to architecture that is both meaningful and forward-looking.

Casa Vivaio Ambientevario
Casa Vivaio Ambientevario, Credit: Ph. Fabio Bascetta

How did Ambientevario begin, and what key moments shaped the studio into what it is today?

Ambientevario was founded in 2010, emerging from the uncertainty of the 2009 global crisis. That period acted as a definitive ‘break’ from the past; we realised that for architecture to survive and remain relevant, the traditional approach had to evolve. With a touch of youthful audacity, we decided to open our studio and share a vision of architecture that strives to do more with less. Our philosophy is rooted in a sustainable necessity, creating impactful spaces through essential means. This is reflected in our name, Ambientevario, which speaks to our desire to create ‘different environments’ through a different approach. We don’t just design buildings; we seek to cultivate diverse settings that respond to a world in transition.

Residenza Ferrari by Ambientevario
Residenza Ferrari by Ambientevario

Your projects often begin with a careful reading of the existing context. What do you look for in a site at the beginning of a project, and how does it shape your early design decisions?

For us, every project is born from an intimate study of its site. We do not believe a project can exist in isolation; it must be deeply rooted in its context, as the site reveals the inherent needs of both the natural environment and the community. By engaging with the unique character of the landscape and the collective memory of a place, we ensure our designs honor their historical roots while remaining vital for the future. Our goal is to create architecture that feels like a natural evolution of its surroundings, a bridge between what was and what is yet to come.

Casa BN by Ambientevario, Credit: ph. Davide Terenzi | Giovanni Danieli

How do you integrate sustainability and material choices into your designs without compromising spatial quality?

We believe that spatial quality cannot exist without environmental responsibility. Sustainability is not a secondary layer to be applied to a project; it is the very foundation from which our design process begins. Our primary strategy is the adaptive reuse of existing structures, honoring what is already built. Secondly, we focus on material selection: if materials are not being reused, they must come from sustainable recycled sources. These principles are not in conflict with user comfort or spatial quality; they are not antagonistic. On the contrary, we believe that the integrity of construction materials is the essential basis for both architectural excellence and the ultimate well-being of the user.

EV Concept Store by Ambientevario
EV Concept Store by Ambientevario, Credit: Fabio Bascetta

What types of constraints tend to shape your architecture the most, and can you share a specific example?

Every project has its own specific set of challenges. At Ambientevario, we choose to focus on constraints because it is within those very limitations, whether they are dictated by the existing context, local regulations, environmental conditions, or a limited budget, that we find the solution and the true personality of a project. Technical challenges force us to be resourceful and prioritize what truly matters: human needs.

This philosophy is clearly visible in projects like Nuvola 75, where we embraced the technical rigidity of industrial modules as a creative catalyst.

Molinella by Ambientevario
Molinella by Ambientevario, Credit: Ph. Federico Covre

Similarly, our Molinella project in Formigine was shaped by a difficult site compressed between a high-traffic street and a railway line. Rather than erasing the site’s complex history, we used these physical and historical constraints to drive the design. The project centers on a dialogue between permanence and transformation. Conceptually, the challenge was to bridge the gap between memory and modernity, respecting the past without being trapped by it.

We rebuilt the original brick wall on its exact historical footprint, using salvaged bricks to restore the physical and symbolic presence of the 19th-century worker housing. This wall performs a dual role: it preserves the memory of the Molinella, while technically acting as a vital sound barrier against traffic noise. Behind this historical veil, modern volumes built with Cross-Laminated Timber. By embracing the stratification of time and material reuse, Molinella proves that architecture is most profound when it treats a site’s difficult identity as an irreplaceable resource.

Ex Officine Tosi by Ambientevario
Ex Officine Tosi by Ambientevario, Credit: Gabriele Melloni

We recently shared your Nuvola 75 project on Illustrarch, where reused prefabricated modules form the core of a contemporary office building. What did the Nuvola 75 project teach you about reuse as a design strategy?

We used to think it was easier to start from a blank sheet of paper. However, our experience with Nuvola 75 taught us that limitations are not obstacles; they are the framework where inspiration lives.

When we approached this project for Sistem Costruzioni, we were faced with seventy-five repurposed prefabricated modules. In many traditional practices, these would have been demolished; they were temporary structures without any inherent architectural quality. But we chose to see them as a resource rather than ‘rubbish.’ Their simple, honest shapes became the generating core of a new, contemporary office building, allowing us to prove that reuse is a driver of innovation.

The technical execution of Nuvola 75 was a direct extension of our commitment to the circular economy. We transformed seventy-five temporary units into a permanent, high-performance office by upgrading their thermal and acoustic efficiency through internal insulated drywall and external sandwich panels. This modular core was then enveloped in a secondary metal skin that serves both as a seismic reinforcement and a framework for light blue micro-perforated sunshades. By varying the angles of these panels, we created a kinetic chromatic effect that reflects the shifting tones of the sky and the company’s visual identity. This solid, reused structure stands in deliberate contrast to a new glazed extension featuring a steel frame and Cross-Laminated Timber slabs. By utilizing dry assembly throughout the process, we were able to minimize the environmental impact and accelerate construction, proving that technical precision and creative reuse can converge into a singular architectural statement.

Nuvola 75 by Ambientevario

What advice would you give to young architects trying to develop a responsible, future-oriented approach to design?

Our advice to the next generation of architects is to embrace uncertainty with audacity. Our studio was born in a moment of global crisis, which taught us that the most difficult periods are often the most fertile for innovation. We encourage emerging practices, learn to see constraints as your greatest creative allies.

Furthermore, we believe that in our time, great architecture is born from multidisciplinary collaboration. Because architecture must now respond to such complex and varied needs, we can no longer work in isolation; we must work as a team. It is vital that every member provides their own contribution, as this diversity of perspective is exactly what helps us comprehend and respond to the true needs of a community.

Finally, remain deeply rooted in context and memory. A responsible, future-oriented approach isn’t just about new technology; it is about the sensitivity to understand a place’s past and the courage to transform that heritage into something vital. Architecture is not just about building structures; it is about nurturing the dialogue between the environment and the people who inhabit it.

Le Loggette by Ambientevario
Le Loggette by Ambientevario, Credit: Ph. Fabio Bascetta

Through this conversation, Ambientevario reveals an architectural practice shaped by a deep respect for what already exists, whether it is a site’s layered history, salvaged materials, or the rigid geometry of prefabricated modules. Their work demonstrates that sustainability is not an added value but a foundational principle, and that the most compelling architecture often emerges from the tightest constraints. From the salvaged bricks of Molinella to the seventy-five repurposed modules of Nuvola 75, the studio consistently proves that reuse and creative ambition are not only compatible but mutually reinforcing. Their advice to the next generation, to embrace uncertainty, collaborate across disciplines, and remain rooted in context, reflects a philosophy that sees architecture not as an isolated act of building, but as a continuous dialogue between environment, memory, and community. For more information about their philosophy, projects, and ongoing work, visit their official website.

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Written by
Elif Ayse Sen

Architect, Author, Content Marketing Specialist.

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Bridges
Bridges

The way Ambientevario embraces constraints truly resonates with me. It’s like turning obstacles into stepping stones for creativity. The Molinella project, especially, shows how history can shape new designs, creating a bridge between the past and the present. I wonder, how do they choose which historical elements to highlight in their designs? It must be such a delicate balance!

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