The gallery is located between the Trmice heating plant and the East end of lake Milada. Inspired by the shape of a historical furnace the mass of the building sits on the slope surrounding the lake – placed there like a giant red sculpture. It´s concrete facade with only a few windows creates tension within the visitor, luring him to come inside. The interior is divided into two main parts. One houses a café and a vertically deployed gallery made to host various art exhibitions and events.
The other part of the building (much larger in volume) showcases a wheel from one of the bucket-wheel excavators used to create the mine pit before it was filled with water. As the onlooker lifts his head, the sky above the wheel opens up and fills the room with unexpected lightness, contrasting the weight of the wheel itself. The wheel, with it´s immense size, suppresses the spectator, making him feel insignificant in the passing of time that turns ordinary objects into historical monuments connecting the past with the present and the future.
As a piece of architecture on a reclaimed mining site, the gallery works as much as a marker of memory as a place to view art. Set against a lake that took nine years to fill, it asks visitors to read the landscape itself as the exhibit: a terrain reshaped first by extraction and then by slow recovery. That layering of industrial past and renewed nature is what gives the small structure its weight.
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