Everything this parti diagram maker does, free, no account, nothing to install
A parti is the one idea a building is organised around, drawn so plainly that it reads in a second: a solid block with a court cut out of it, two bars with a gap between them, a row of rooms hung on a spine. The word comes from the French prendre parti, to take a position, and from the teaching of the École des Beaux-Arts, where a student was expected to commit to one organising decision before drawing anything in detail. The parti is that decision. For the background and a set of built examples, read what a parti diagram is in architecture and interior design.
Because it is a reduction, a parti diagram leaves almost everything out. There are no doors, no wall thicknesses, no furniture and usually no dimensions. What remains is figure and ground (what is built and what is open), a direction (how you arrive and move through) and an order (an axis, a grid, a centre). If a diagram needs a paragraph of explanation, it is not yet a parti. This tool is built around that discipline: a small set of marks, a board with a grid, and a legend that only lists the kinds of marks you actually used.

Start from a template if one is close to your idea, or from the blank board if it is not. Every template is an ordinary drawing: move, resize, delete or restyle any part of it.
The list on the left holds every item on the board, top to bottom. Hide an item to compare versions without deleting it, lock it so a stray drag cannot move it, and use Forward and Back to change what sits on top. Undo and redo cover every change, the arrow keys nudge the selected item by one grid step, and the drawing is saved in your browser as you work.

Each tool is one kind of statement. The legend on the exported sheet lists only the kinds you used, so a drawing with three marks gets a three line key.
| Mark | What it says | Typical use |
|---|---|---|
| Mass | Built volume | Solid black for the main building, hatch or dots for a second kind of built space |
| Void | Open space defined by the mass | Courtyard, light well, atrium, gap between buildings |
| Circle | A centred volume or space | Rotunda, core, round court, hub |
| Axis | A line the composition is measured from | Symmetry, a view line, a ceremonial route |
| Arrow | Movement | Main approach, entry, a route through the scheme |
| Line | An edge that matters | Street line, boundary, a long retaining wall |
| Node | A focal point | The stair everything turns around, an altar, a tree in the court |
| Grid | A structural or planning field | Column grid, planting field, a frame the rooms are carved from |
Colour works in three roles. Main is the strongest reading, soft is for secondary parts and context, and accent marks the one thing the parti is about, usually the route or the focal point. Pick Custom colour on any item to pin it to a colour of your own; when two marks of the same kind use different roles, the legend names the role next to each.
The style switch under Board and style changes the whole sheet at once. Poche fills masses in solid black on white, the classic figure-ground reading and the clearest at small sizes. Line drawing turns solid masses into hatching, which suits a parti that sits next to plans and sections in a presentation. Soft colour uses a muted blue and orange on warm paper for boards and portfolios. Blueprint draws white on blue, which reads well projected in a dark room and sets a concept sheet apart from the technical drawings around it.

Choose the style for where the diagram will be seen, not for how it looks on screen. A poche parti survives being printed at thumbnail size in a portfolio grid; a blueprint parti does not photocopy well. Because the style is a setting rather than a property of each shape, you can export the same diagram in two styles in a few seconds.
A parti is often easier to understand as a short story than as one image: start with the whole volume, carve the court, then thread the route. Add a step with + Step, or copy the current one with Copy step and change only what moves on. Rename steps in the box next to the tabs. When there is more than one step, the export places every step next to the others on one sheet, each with its name above it, and a single legend underneath.

Keep the board the same size for every step and change as little as possible between them. A sequence reads because the eye compares neighbouring frames; if the mass moves as well as the court, the reader cannot tell which change is the point. Three or four steps are the limit for one sheet. If the story needs more, it is probably two partis.
The templates are starting points drawn from organising ideas that recur across building types and periods. Each one below is an export from the tool, so what you see is what you get when you open the template.
Rooms wrap a single open court and look into it. The court gives every room light and a protected outlook, and the outer walls can stay closed to a noisy or hot street. The parti works from a single house to a college quadrangle; what changes is the depth of the ring and the number of ways into the court. Draw it with one large mass and one void on top of it, then decide where the entrance cuts through the ring.
One route organises everything, and rooms hang off both sides. Wayfinding is obvious, the building can grow at either end, and every room has the same relationship to circulation. The risk is monotony, which is why many spine buildings vary the rooms along it or widen the spine into a hall at one point.

Separate pavilions gather around a shared centre. Each part keeps its own identity, light on several sides and a direct link to the hub, which becomes the social heart of the scheme. In the template, dashed lines connect each pavilion to the centre: they are relationships, not corridors, and you can turn them into arrows when the movement matters.

A public bar and a private bar face each other across an outdoor room, and the gap between them is where you enter. The parti separates two kinds of use without a corridor and gives both an outlook onto the shared space. Notice that the entry arrow comes in through the open end, not through either bar: the void is the threshold.

A strong axis and mirrored wings lead to one destination. The approach is long, framed and ceremonial, which is why the parti is common in civic buildings, memorials and places of worship. Draw the axis first, then the destination at its end, and only then the wings, so that the symmetry follows from the route rather than the other way round.

Louis Kahn distinguished between large open spaces and the small towers of stairs and services that support them, and made the difference visible in buildings such as the Richards Medical Research Laboratories in Philadelphia. In the template, four outlined served spaces are held by solid servant towers at the corners and a central core in the accent colour.

The grid parti lays down a regular structure first and carves rooms out of it, so the plan can change without the order changing. The radial parti sends wings out from a core, which makes the centre the place of control or of gathering. The box in a box wraps a precious inner room in a buffer of secondary space, for acoustics, climate or ceremony. The object in a field sets one clear volume free in an open landscape, and the L-shape shelters a garden from the street with two wings. All five are in the template list, ready to adapt.
These drawings overlap, so it helps to be strict about what each one is for.
| Drawing | Answers | Leaves out |
|---|---|---|
| Concept diagram | Any idea behind the project: a story, a material, a view | Usually the plan itself |
| Parti | How the building is organised: figure and ground, order, movement | Uses, areas, heights |
| Zoning diagram | Which uses go where, and how much area each takes | Form and height |
| Massing diagram | How much volume, how high, and the shadows it casts | Interior organisation |
Working order is usually parti first, then zoning, then massing, with the parti revisited whenever a later drawing stops agreeing with it. Uses and areas go into the zoning diagram maker; for the theory of volumes, see the guide to massing diagrams in architecture. When you are ready to give the parti height, block it out in the massing diagram maker.
PNG is the quickest for slides, pin-ups and messages; it is rendered at high resolution for sharp printing. SVG keeps every shape as a vector, so you can recolour it or combine it with other drawings in Illustrator, Affinity or Inkscape. PDF places the sheet on an A4 or A3 page for printing and submissions. JSON is the editable file: open it later with Open JSON to continue exactly where you stopped. Share link copies a link that opens a copy of your diagram in someone else’s browser; your own copy is not changed by what they do with it.
Every export carries the title, the concept statement, the steps with their names, the legend and a small credit line. If you want the drawing alone, export SVG and delete what you do not need.
Yes. There is no account, no trial and no watermark. The diagram is kept in your own browser and is still there when you come back to this page.
A concept diagram can explain any idea behind a project. A parti explains how the building is organised in space: what is solid, what is open, what the order is and how you move through it.
Yes. The board does not assume a view. Draw the plan parti as one step and the section parti as another, and both export on the same sheet.
Use Copy step to duplicate the current step, change it, and repeat for up to four steps. The export lays them out from left to right with their names above them.
Yes. Export SVG: every mass, void, arrow and label stays a separate vector shape that you can recolour, move or combine with your other drawings.
It is saved in your browser automatically and reloads when you come back. Save it as JSON if you need it on another computer or want to keep several versions.
Yes. Drag items with your finger, use the handles to resize, and tap Finish when you draw a free shape. A larger screen is still more comfortable for detailed work.
Once the parti holds, give it uses and areas in the zoning diagram maker, or work out which rooms belong together first with the adjacency matrix maker and the bubble diagram maker. To test the idea against the real plot, start with the site analysis diagram maker; to give it height, the massing diagram maker. For other ways of reading a plan, see spatial organization diagrams and the figure-ground diagram. Every free tool is listed on the illustrarch tools page, and the whole diagram family is in the architectural diagrams hub.
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