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to:en Museum by Kerimov Architects

Kerimov Architects proposes to:en, a museum for Trondheim that joins the city's art and decorative arts collections in two woven timber rings around a glass tower, drawing on Norse myth and Nordic craft.

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to:en Museum by Kerimov Architects
The museum on a winter street. Visualisation: Kerimov Architects.
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to:en Museum is a concept by Kerimov Architects for a new museum in central Trondheim, Norway, that would bring the city’s art museum and its museum of decorative arts together in one building. The name comes from the Norwegian phrase for “two in one”, and the design takes the idea literally: two separate institutions, two ring-shaped volumes, woven into a single cultural landmark. It is the studio’s second project in Norway.

Timber museum with sweeping ribbed walls beside a snowy street, its glass tower rising behind

Two rings and a tower

The plan is made of two interlocking rings that form a continuous loop of galleries around a glass tower at their centre. The rings are inspired by Jörmungandr, the serpent of Norse mythology that circles the world, and they translate its endless form into connected exhibition rooms and routes. The tower refers to Yggdrasil, the mythic tree that links different realms, but it also does real work: it holds the vertical circulation, draws daylight down into the building and gives visitors a fixed point to find their way.

Elevated dusk view of the timber museum glowing among red houses with hills and fog beyond

Kerimov Architects describes its method as decoding: reading local stories and craft traditions and turning them into geometry, circulation and facade. The intention is for the building to carry cultural memory in its own form, so that the museum is itself an object worth looking at, not only a container for collections.

A facade woven from timber

The outer walls are clad in Nordic timber laid in a spiral, basket-like weave. The studio cites ship’s rope, the hulls of Viking ships and regional handicraft as references, and turns the principles of braiding, lashing and wood joinery into a contemporary skin. For a museum that combines fine art with decorative arts, the facade is meant to show how craft knowledge can still shape new architecture.

Close view of the spiralling woven timber facade above dense green planting

A short film released by the studio shows the building and its spaces in motion.

Galleries without a fixed route

Inside, linked galleries host permanent and temporary shows and offer several ways through. Rather than following one prescribed path, visitors can move between the two collections and make their own connections between paintings, crafted objects, making techniques and eras, so the walk through the building becomes a form of learning in itself.

Gallery interior with flowing timber walls and ceiling and exhibits along a curving route

A civic place on a former car park

The site is a former car park in Trondheim’s cultural district. The proposal threads pedestrian routes and meeting places through it, so that people pass the museum on ordinary walks and can stop without planning a visit. Where it meets the street, the building traces the slope of the ground, and its low, rounded edges recall the outlines of fjords and the turf roofs of traditional Norwegian houses, keeping the scale in line with the compact historic centre.

Aerial view of Trondheim with the ring-shaped timber museum and its glass tower among low city blocks

The project has been named a finalist for the IDPA Japan Design Award 2026 and for the 2026 World Architecture Festival shortlist. For another recent Norwegian project that ties a civic building into its city, see the New Government Quarter by Nordic Office of Architecture in Oslo.

Visualisations and drawings: Kerimov Architects.

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